- 'French supernatural drama series' - hybrid genre
- hybrid genre - reaches a wider audience
- 26th November 2012 on Canal+
- United Kingdom 9 June 2013 on channel 4
- 2 series, 8 episodes each
- based on french film, They Came Back
- created by Fabrice Gobert
there are lots of different story arcs in the first episode, the series is based on hermeneutic codes
SUPERNATURAL - unconventional narrative, child comes out from nowhere (intertextuality of The Omen)
AVANT-GARDE (experimental) - non-linear narrative
FRENCH - the mise en scene of the actors
CULT TV - a tv show that has a passionate audience, invites the audience to do things with it, cult tv shows need to create their own world
EXAM STRUCTURE
INTRO - DAC
DEFINITION - key terminology
ARGUMENT - point of view, stick to it
CONTEXT - context of media products
PARAGRAPHS - PEA
POINT
EVIDENCE
ARGUAMENT
KEY TERMS
HEGEMONIC
STEREOTYPE
IDEOLOGY
POLYSEMY
INTERTEXTUALITY
NEGOTIATION
"In the 21st century, it is essential for tv shows to offer multiple meanings" - evaluate the claim with reference to Les Revenants....
REPRESENTATIONS - allows audience to relate with characters, audience learns about the world, not real, construction of reality (they construct reality!)
ideologies are always presented through representation
JOHN BERGER -
'MEN ACT, WOMEN APPEAR'
EXAM STRUCTURE
INTRO - DAC
DEFINITION - key terminology
ARGUMENT - point of view, stick to it
CONTEXT - context of media products
PARAGRAPHS - PEA
POINT
EVIDENCE
ARGUAMENT
KEY TERMS
HEGEMONIC
STEREOTYPE
IDEOLOGY
POLYSEMY
INTERTEXTUALITY
NEGOTIATION
"In the 21st century, it is essential for tv shows to offer multiple meanings" - evaluate the claim with reference to Les Revenants....
- (opening scenes)
- establishing shot of french alps and bus - isolated and exotic setting (for secondary British audience), emphasizes importance of polysemy as it means different things to difference nationalities
- slow zoom from exterior to interior , the point of focus is butterflies pinned to board
- mise en scene on butterfly escaping - coming back to life, freedom
- desaturated colour grading and lowkey lighting when Camille returns - mysterious (hermeneutic code), forces audience top negotiate their own perspective on narrative, not sure how much time has passed, etc
- soundtrack when zooming in on butterflies crescendos (gets louder) - key moment, has a deeper meaning(symbolic code)
- Camille has more screen time on bus and consistently framed in montage of closeup shots - positions the audience with her, her age allows teenage audience to engage in the narrative
- sudden and mysterious cut to black after the bus accident - symbolises primary theme of death, symbolises audience's own confusion
- unconventional to supernatural genre - lacks genre paradigms, very unconventional zombie
ideologies are always presented through representation
MOTHER - STEREOTYPICAL ASPIRATIONAL MIDDLE CLASS MOTHER MINIMALISTIC HAIR AND JUMPER TIRED EYES AND PALE FACE IS STEREOTYPICALLY ATTRACTIVE IN FRANCE APPEALS TO HETEROSEXUAL MALE AUDIENCE - SAME AGE |
30 YEAR OLD WOMAN (APPROX) HAIR IS TIED UP AND MESSY - NOT INVESTED INTO HER APPEARANCE |
'MEN ACT, WOMEN APPEAR'
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