Friday, 1 February 2019

RADIO 2

'"Ensure a wide range of services and a wide appeal is available"

  • On the whole, yes - LNWH is an example of appealing to middle-class females
"Maintain plurality in broadcasting"
  • danish guest on LNWH - offers a range of different voices
"Protect audiences from offensive or harmful material"
  • yes, no offensive content as after watershed, does occasionally swear
"Protects audience against unfairness or infringement of privacy"
  • Mentions no one in particular, no invasions of privacy

SLOW TV MOVEMENT

  • Scandinavian, 7 hour train video
  • obsession with Scandinavian way of life in 2016
  • links to LNWH 
  • middle class 
  • relaxing video, nothing happens
  • have on whilst doing something else
  • "comfy radio"
How does LNWH meet the needs of its audience?
  • slow paced and repetitive - don't miss anything
  • relaxing voices - soothing
  • relaxed conversation - don't have to think too hard
  • non-judgemental space - egalitarian, utopia, no interruption

Media products need to have authenticity to appeal to its audience

The hashtag LNWH does not get many interactions - this implies that its audience is older

PARTICIPATORY CULTURE

Enthusiast podcasts - 

Thursday, 24 January 2019

RADIO

SPECIALISED

BBC RADIO - 'BBC SOUND"


  • Funded by the license fee
  • "Audiences are the heart of everything we do"
  • "We take pride in delivering quality and value for money. ..."
  • "Creativity is the lifeblood of our organisation. ..."
  • "We respect each other and celebrate our diversity"

BBC1 - younger audience, mass audienceBBC2 - slightly older audienceBBC4 - older than BBC2lots of choice, thumbnails, descriptions, clean white background, shows how far through the show is - meets the needs of many audiences
LATE NIGHT WOMAN'S HOUR
  • spin-off from the long running BBC Radio 4 daily magazine programme, Woman's hour
  • broadcast once a month, late at night
  • presented by Lauren Laverne and features a number of female panellists
  • each episode focuses on a particular theme relevant to the its female target audience 
  • Friday night, 11pm - graveyard slot

Meet the needs of audience?
  • "democratisation" - sophisticated lexis, requires knowledge
  • "i knew my marriage was over when we bought an Ikea wardrobe" - gentle snobbery
  • magazine show - deals with a range of topics, 'round table' discussion, professional 
  • relatable - " my favourite winter mug", audience will have their own favourite mug
  • middle class mode of address - lots of guitars, "square scarfs", "only 20 books"
  • moved to brother's attic after being evicted - most people would become homeless but that issue wasn't mentioned, keeping it positive, being evicted is an adventure
  • lots of historical context of WW2 - suggests that those problems are over, paints a Utopia, gloss over problems
Target audience?
  • middle aged
  • middle class
  • female - full female panel 
  • is the show sexist? - talk about emotional women and "masculine" men, binary opposition 
Regulatory issues?
  • no regulatory issues
  • radio also regulated by OFCOM
  • no material in the show that could offend 
  • LNWH does occasionally swear, however it is not breaking any rules
  • the regulation of radio is ineffective - can lie about age online
  • plurality - where a media product/organisation gives a voice to a wide range of ideological perspectives


  • Why broadcast this show?

  • PBS - public broadcasting service, no advertising, license fee
  • "inform, educate and entertain" - BBC has to appeal to all audiences because we all pay (remit)
  • have a remit to show a diverse range of media output
  • localness - have to be talking about something local (LNWH don't have to as its on a national radio station)

'Woman's Hour' - 1946, 2pm, immediately after end of WW2, encouraged women to rebuild their life, to listen to whilst doing the housework, to educate the female audience, moved to less popular Radio 4 in 1970's, criticised for being sexist and too middle class"exoticism" - exotic for the audience to listen toGREAT BRITISH BAKE OFF was sold to cut costs
HOW HAVE DIGITAL PLATFORMS CHANGED THE WAY WE CONSUME RADIO?
  • online - 'BBC Sound"
  • podcasts - can skip to bits we want to hear
  • don't have to listen to it live - advantage to people with a busy lifestyle
  • can sometimes watch the presenters - visual element, can make it easier to listen to, can make the presenters more likeable, direct address
  • apps - offer a better user experience (UX)
  • digital radio (DAB) -  don't need to be nearby, usually better reception
  • phone downloads - can listen without wifi or reception
  • phones are mobile - can be used anywhere, always have access
  • thumbnails - looks more appealing, another way to draw in audience
  • DIGITAL CONVERGENCE

  • DISTRIBUTION 
  • AUDIO STREAMING  listeners can click to play a radio programme instantly over the internet, has a global reach
  • DIGITAL AUDIO BROADCASTING (DAB)  greater number of wavelengths and therefore stations are available with digital audio, increased number of stations, niche programming and improved quality
  • PODCASTS  programmes are packaged and available as downloadable content on a range of different platforms, more flexible
  • CROSS-PLATFORM  combination of visuals with audio output and availability of radio through television platforms, utilises visual elements, more appealing to modern audience












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Tuesday, 8 January 2019

VIDEO GAMES

COMPONENT 1, SECTION B 


HETEROSEXUAL MALE AUDIENCE
NOTHING TARGETED TOWARDS WOMEN
INNUENDOS ASSUME THE AUDIENCE WILL BE OLD ENOUGH TO UNDERSTAND
ASSUMES WOMEN DON'T WANT TO PLAY VIDEO GAMES
DISTRACTION/HOBBY
WHAT IS A VIDEO GAME?
  • require a console
  • target a core/niche audience
  • interactive
  • typically played by younger audience
  • much more complicated narratives
  • faced with many problems (disequilibrium)
  • often an online component
  • much higher RRP
  • significantly longer length
The assumption that if you play too many video games you will become violent is an example of the hypodermic needle model.

THE HISTORY OF VIDEO GAMES
  • first game - 1962, Space War, developed in USA, experiment, simulator 
  • in 1962 computers were huge, made them impractical, only in labs 
  • Space Invaders - 1979, Japanese, developed by Taito, arcade game, extremely popular, technology still didn't allow to play video games at home
  • American arcade boom - Atari and Nintendo began creating games, centipede in full colour
  • Micros in Uk - micro computers, bedroom coding, video games becoming more affordable at home
  • huge amount of genres - people making them up as they made them at home (typically teenage boys)
  • video game crash - 1980's, Atari buried millions of E.T. video games in landfill to get rid of them
  • Japanese imports - Dragon Quest, role-play game
  • Japanese console boom - 1986, SuperMario Bros, NES console, most successful video game ever made, marketing specifically towards kids, sound effects
  • Street Fighter - 1991, very popular in arcades, female character that became popular
  • Sony Playstation 1 - 1994, interesting marketing technique, uses reverse psychology, satire, makes fun of idea that video games make you stupid
  • indie games - made by small development teams, cheap
  • AAA game (major games) - takes thousands of people to make
  • controversies surrounding representation and production methods - exploitation and 'male gaze'
  • digital distribution - downloads
SPECIALISED INDUSTRY (POSSIBLY THE MOST SPECIALISED)

ASSASSINS CREED 3 - LIBERATION
  • published by Ubisoft in 2012 for Playstation Vita 
  • 2 years later it was HD re-released for Playstation 3 and Xbox 360
Trailer


How does this trailer target a specialised and a generalised audience?


  • black, female protagonist/ avatar - subverts the expectation that the target for video games in young heterosexual males
  • "new missions" - appealing to audience that have already played the game, spend more money, 'double-dipping'
  • re-released on more popular consoles - gives more people access to it, originally didn't sell very well on PS Vita, multi-platform release, mass audience
  • tackles big ideological issues about race, slavery and colonialism - pushes boundaries, increases word of mouth sales
  • intertextual reference to Django Unchained (2012) - cult film, slavery in antebellum America
  • high quality animation, graphics, soundtrack, locations - has high production values
  • shares conventions of high budget Hollywood film - non-diegetic voiceover/narration, lots of action and proairetic codes, orchestral soundtrack connotes high quality
  • all games have similar iconography and themes - creates recognisable brand image, know it will make money
The sales for Assassins Creed 3 Liberation did not meet the expectations, therefore, it was re-released.
The story was criticised, and only got average reviews.
It is going to be re-released a second time as it is an easy way to make money. 
600,000 copies sold on PS Vita, underperformed. 

REGULATION - PEGI

Pan European Game Information
Ages range from 3-18
Don't refer to the level of difficulty 
It is legal for someone under the age of 18 to buy a PEGI 18
Advisory classification system
The regulation of video games has never been effective 

PROMOTION


Within my research i noticed that there is a very specific iconography presented within all of the promotional materials.

It's really hard to differentiate between the different games and the franchise. One of the criticisms of the franchise - It's  oversaturated. All of the games are very similar and not that distinguishable

There are certain items of merch that will only appeal to a niche audience (e.g. assassins creed backpack)

AUDIENCE THEORIES - FANDOM - HENRY JENKINS

What happens when you play too many video games?
  • your attitude and opinions change
  • you become stupid
  • lose out on social interaction - becoming anti social


HYPERDERMIC NEEDLE MODEL - AUDIENCE IS PASSIVE - ASSUMES AUDIENCE IS MINDLESS - NEGATIVE THEORY. 

Video games are universally violent and violence is presented as the only way of solving things.  CULTIVATION THEORY - GEORGE GERBNER   

MORAL PANIC  an event is over exaggerated to create fear within the public

If we see violence over and over again we become desensitised to it

preferred - violence is acceptable, binary opposition between good and evil (simplified world), women are just as able as men, anti-slavery
negotiated - agree with anti-slavery message, but don't agree with violence and find it boring
oppositional - violence shouldn't be used to solve problems

LORE  the story behind video games, story lines that are not apparent 

The Silver Case - how is it atypical?
  • mostly narrative
  • intertextual reference to Pokemon 
  • lack of structure and gameplay - argument that it's not even a videogame
  • no continuity 
  • sound effects criticised but not taken off - don' care about audience
  • excessive strong language  
CLAY SHIRKY
END OF AUDIENCE THEORY


  • audiences are no longer passive
  • we interact with producers and media products
  • we are part of the marketing/product

Death Stranding (unreleased)

No release date
His games often break the rules - eccentric 
Kojima Productions

https://www.youtube.com/watch?v=8QyElGLGrn0


  • he is creating an audience 
  • intentionally weird iconography lacks genre conventions 
  • many invitations for active audiences to create 'fan theories'
  • however, this can be disappointing for audiences do not get what they expect
  • famous Hollywood actors, high production values
  • Sony funded means extremely expensive and likely to fail, in exchange for exclusivity 
  • Immersive array of shot types, audience positioned directly with players, single take is exceptionally hard to achieve in film, made possible with CG
  • audience doesn't understand what is going on, have to go onto the internet to discuss 









Monday, 31 December 2018

3 questions

In what way does the media product use media language to encode the ideology of the producer? - Woman Magazine

Woman magazine was first released in 1964 as a weekly magazine, targeted towards mature women of the working class. The producer of the magazine has encoded many of his ideologies using media language throughout the product. An ideology is the belief of the producer.

On the cover of the magazine, the producer has used mise en scene to encode his beliefs. For example, the dress the model is wearing is very floral and traditional, which means that the producer is trying to convince women to wear similar items of clothing. This reinforces the hegemonic rules of how women should dress, as they are not inspiring them to branch out. Therefore, this mise en scene shows that the producer of Woman magazine likes to stick to hegemonic rules and traditions. 

Additionally, the front cover of the magazine features "seven star improvements for your kitchen" which encodes the ideology that women belong in the kitchen. The direct address of "your kitchen" reinforces the belief that the kitchen is a woman's priority, as well as the fact that they should look after it, as it needs "improvements". Overall, the audience can see that the producer wants women to conform to the widely held hegemonic beliefs from when the magazine was released. 

Lastly, the question "are you an a-level beauty?" on the front cover can be decoded to imply that women should aim to be beautiful, and therefore should always be wearing makeup. This is an example of Roland Barthes' theory of semiotics, as it is a hermeneutic code, that if you read the magazine you will find out how to become an "a-level beauty". This ideology is enforced by the fact that the model is wearing makeup, and she is someone that the audience is meant to aspire to be. Throughout the magazine this ideology has been encoded by the producer. 

How can audiences interpret this product in different ways? - Tide's got what women want

'Tide's got what women want' is a 1950's print advertisement, selling washing powder to housewives. The media language within the advert can be interpreted by the audience in many different ways, which supports Stuart Halls' Reception Theory. This theory says that audiences will have different responses to the ideology that the producer is trying to show; either the preferred reading (agree with ideology), negotiated reading (agree with some elements of ideology), or a oppositional reading (do not agree with ideology). 

The print advert uses a lot of red font, in the header and in a few key words such as "clean" and "tide". This colour has connotations of sexuality and love, therefore, audience members are likely to interpret this is as the love for the product; this would be considered the preferred reading, as the advert is trying to sell it.  However, the sexual connotation could also be to symbolise the way men looked at women in the 1950's. Many adverts from this time period sexualised women in this way, which could be seen as audience manipulation, which links to Gerbner's theory of cultivation. He believed that if audience members saw the same ideologies repeatedly, they would begin to believe them as well. 

Additionally, the advert contains a lot of direct address, for example, "you women". This lexis could be interpreted as sexist and patronising because women are being generalised and it is very direct, this may be because the producer is trying to take control over its audience so that they buy the product. On the other hand, some audience members could see this as empowering, as it gives women a sense of community. This subverts a lot of conventions of 1950's adverts because it goes against the patriarchal hegemonic norms of society. 

How does this product use intertextuality? - Humans

Intertextuality is used in Humans to create a deeper meaning and for audience gratification; intertextuality is when a media product references another media product. Humans is an 8-episode, sci-fi series, that launched on channel 4 in June 2015.

In one of the first scenes of the first episode of Humans, the audience meets the synths, where there is a key intertextual reference to 'Blade Runner' (1982). There is an extreme close up shot of a synths' eye, which mirrors the shot of an eye in 'Blade Runner'. This creates deeper meaning as people refer to the eyes as 'the windows to the soul', therefore, it raises the question of whether the synths have a soul/emotions; it is important that this was at the beginning of the first episode because it sets up everything the show is about. There are themes of postmodernism, a theory by Jean Baudrillard, throughout the series, but especially in this shot as it has the audience challenging what is and isn't real. Additionally, the reference to another media product may please the audience if they understand where it is from, which is likely, as they are both from the sci-fi genre. 

A second way the producer has used intertextuality to please the audience is by referencing the popular family comedy TV series, 'Outnumbered'. Many of the dynamics between the members of the Hawkins family are similar to those of the comedy series. For example, in the first episode Joe is shouting at his 3 children to tidy the house, however, the children do not listen to him. It is important that the producer has not only appealed to sci-fi fans, but also families as it widens their target audience. By using this form of intertextuality, the series becomes more family-friendly and it appeals to fans of 'Outnumbered'. 


Friday, 7 December 2018

mini mock

"It is essential for a TV programme to simultaneously target both mass and specialised audiences"

Explore this statement with reference to Les Revenants



A specialised audience is a small, enthusiastic group of people that a TV show is aimed towards, whereas a mass audience is when a show is aimed at a larger, broad group of people. Les Revenants is a French, supernatural drama that was produced by Fabrice Gobert. It was originally released in November 2012 on the french channel Canal+, but it was later release on Channel 4 in the UK the following year. I believe that Les Revenants has simultaneously targeted both mass and cult audiences.

One way in which the TV show targets a cult audience is that it invites many polysemic readings. For example, the audience sees a slow zooming in shot of a frame of butterflies, which then smashes as a butterfly flies out; during this shot the diegetic music crescendos to symbolise that this has a deeper meaning. This allows the audience to create their own meaning as there is no anchorage towards what the scene symbolises. This supports Stuart Hall's reception theory, as the audience has a negotiated reading. However, you could argue that the show challenges this theory, as there is only negotiated readings. Les Revenants doesn't show any obvious ideologies, meaning the audience cannot take the preferred or oppositional reading; therefore, the audience is left having to make their own decisions. Another example of this is when the screen suddenly turned black after the bus crash. This creates polysemic meanings because the black could symbolise the death of the characters, however, it also could represent the audience's own confusion. polysemy is important in a cult tv show as it allows the specialised audience to engage in the show through discusions.

Additionally, the show lacks typical supernatural/ horror conventions that would appeal to the larger audience. For example, the 'zombies' look like normal people, which subverts the stereotype of this genre paradigm. As well as this, the scene where Victor is stalking the woman lacks horror conventions because he isn't a 'monster'. 

On the other hand, the trailer of Les Revenants targets a much larger, international audience. Firstly, it features many quotes from popular British newspapers, as well as British text, which invites their international audiences to watch the show, as they know and trust these newspapers. Secondly, the fast paced editing and montages makes the series appeal to action fans, as the show looks exciting and filled with adventure. Additionally, the producer has picked actors that all conform to stereotypical standards of beauty, for example, the young boy has dark and strong features, whilst all the women wear very natural looking makeup. This appeals to the mass audience as there are characters that everyone can aspire to or enjoy watching. 

Tuesday, 27 November 2018

LES REVENANTS


  • 'French supernatural drama series' - hybrid genre
  • hybrid genre - reaches a wider audience 
  • 26th November 2012 on Canal+
  • United Kingdom 9 June 2013 on channel 4
  • 2 series, 8 episodes each
  • based on french film, They Came Back
  • created by Fabrice Gobert
there are lots of different story arcs in the first episode, the series is based on hermeneutic codes

SUPERNATURAL -  unconventional narrative, child comes out from nowhere (intertextuality of The Omen)
AVANT-GARDE (experimental) - non-linear narrative
FRENCH - the mise en scene of the actors
CULT TV - a tv show that has a passionate audience, invites the audience to do things with it, cult tv shows need to create their own world



EXAM STRUCTURE

INTRO - DAC
DEFINITION - key terminology
ARGUMENT - point of view, stick to it
CONTEXT - context of media products

PARAGRAPHS - PEA
POINT
EVIDENCE 
ARGUAMENT

KEY TERMS
HEGEMONIC 
STEREOTYPE
IDEOLOGY
POLYSEMY
INTERTEXTUALITY
NEGOTIATION

"In the 21st century, it is essential for tv shows to offer multiple meanings" - evaluate the claim with reference to Les Revenants....

  • (opening scenes)
  • establishing shot of french alps and bus - isolated and exotic setting (for secondary British audience), emphasizes importance of polysemy as it means different things to difference nationalities
  • slow zoom from exterior to interior , the point of focus is butterflies pinned to board
  • mise en scene on butterfly escaping - coming back to life, freedom
  • desaturated colour grading and lowkey lighting when Camille returns  - mysterious (hermeneutic code), forces audience top negotiate their own perspective on narrative, not sure how much time has passed, etc 
  • soundtrack when zooming in on butterflies crescendos (gets louder) - key moment, has a deeper meaning(symbolic code) 
  • Camille has more screen time on bus and consistently framed in montage of closeup shots - positions the audience with her, her age allows teenage audience to engage in the narrative
  • sudden and mysterious cut to black after the bus accident - symbolises primary theme of death, symbolises audience's own confusion
  • unconventional to supernatural genre - lacks genre paradigms, very unconventional zombie 


REPRESENTATIONS  - allows audience to relate with characters, audience learns about the world, not real, construction of reality (they construct reality!)

ideologies are always presented through representation 


TEENAGE GIRL
SMARTLY DRESSED - ATYPICAL, CARDIGAN IS STEREOTYPICALLY ASSOCIATED WITH OLDER PEOPLE (COMPLEX REPRESENTATION REFLECTED IN COMPLEX NARRATIVE)
MINIMAL MAKEUP FITS WITH FRENCH 'NATURAL' BEAUTY STANDARDS
GINGER HAIR IS UNCONVENTIONAL WHICH HELPS HER STAND OUT 

 MOTHER - STEREOTYPICAL ASPIRATIONAL MIDDLE CLASS MOTHER
MINIMALISTIC HAIR AND JUMPER
TIRED EYES AND PALE FACE IS STEREOTYPICALLY ATTRACTIVE IN FRANCE
APPEALS TO HETEROSEXUAL MALE AUDIENCE - SAME AGE




YOUNG MALE
 DARK, STRONG FEATURES, BUSHY EYEBROWS -STEREOTYPICALLY ATTRACTIVE
CAST NEEDS TO BE ATTRACTIVE TO FRENCH AUDIENCE BECAUSE THAT IS THE TARGET AUDIENCE
LEATHER LOOKING JACKET REPRESENTS REBELLION

30 YEAR OLD WOMAN (APPROX)
HAIR IS TIED UP AND MESSY - NOT INVESTED INTO HER APPEARANCE
JOHN BERGER - 
'MEN ACT, WOMEN APPEAR'


REPRESENT RURAL FRENCH LIFE - ATYPICAL FRENCH SETTING FOR INTERNATIONAL AUDIENCE
ALL WHITE CAST IN IMAGE - WHITE MIDDLE CLASS TARGET AUDIENCE
ALLEGORICAL THEMES - DEATH AND HOW PEOPLE DEAL WITH IT





Glasgow Megasnake - Mogwai

  • Mogwai did soundtrack for les revenants
  • instrumental rock band - this track sounds more like metal
  • distorted guitars 
  • songs tend to be very long
  • Mogwai lack a 'front man' 
  • boring appearance - t-shirts and jeans, look like normal men
  • own their own record label - 'Rock Action'
why pick Mogwai for soundtrack?
  • widens audience - pre-existing Mogwai fans
  • synergy - 2 media products coming together and working well together
  • allows Mogwai to target international audience 
  • are both moody and creepy - share the same ideology
  • gives Mogwai subcultural capital 
how does the trailer target its audience? (International audience)
  • english text - everyone can understand
  • quoting British newspapers such as Sunday Times - audience know and trust these newspapers
  • fast-paced editing and montage - makes the show look more exciting and action-packed than it is, sells to action fans
  • encourages audience to take an active reading - invites its target audiences to have a negotiated reading 
Fans of Les Revenants have the option to buy the book, 'The Lake Pub' t-shirt, and the soundtrack on vinyl/cd 

CANAL+

IDEOLOGY - premium channel, quality shows
FUNDING - 'Creative Europe' funding, paid for by grants, some funds from Alps tourism board
SCHEDULING - season 2 was shown at 8:50pm, 9pm in UK and USA
OWNERSHIP - Vivendi SA, french mass media conglomerate, headquarters in Paris 
NOTABLE RELEASES - the tunnel, spiral, le grand journal, all created for a domestic audience
CONGLOMERATION - media, music (Universal music), tv, films, videogames
IMPORTS - tellytubbies, vampire diaries, game of thrones 

Friday, 16 November 2018

THE TELEVISION INDUSTRY

Television is a specialised industry

approx 6-8 episodes in UK drama series
6 episodes in UK comedy series
Humans was made in England, there is 8 episodes, drama series

TV in 21st century

  • global, rather than national industry
  • increasingly commercial 
  • HBO home box office, global success
  • the tv industry has totally fragmented
  • channels "narrowcast", which means they target more niche audiences 
  • audiences consume television in a variety of different ways 

television was the first example of mass media

nazis used it for propaganda - assumed audience could be manipulated and were passive (passive audience theory)

DISTRIBUTION, CIRCULATION AND MARKETING

DISTRIBUTION  how the product gets there
CIRCULATION  how many people see it
MARKETING  how the product is sold/promoted

Humans advert
  • viral marketing - distributed on Youtube as opposed to traditional tv broadcasts
  • audience led distributing - audience may share it, hashtag, rich in hermeneutic codes, no clear product 
  • extremely American, cheesy, American voiceover is stereotypically happy and confident 
  • conventions of American-style medical advert - clean mise en scene, gestures of synths are threatening
  • "faster than before" - suggesting something went wrong with them before


  • there is an option to return your synth on the website and it provides a returns slip - proairetic code that something will go wrong/ they are faulty
  • immersion - totally involved in running the website and social media
  • the marketing campaign has been successful because there are currently 3 seasons of the show 
OWNERSHIP AND ECONOMIC FACTORS

  • OWNERSHIP  owned and operated by Channel Four Television Corporation, a public corporation of the Department for Digital, Culture, Media and Sport
  • FUNDING  sale of on-air advertising, programme sponsorship, and the sale of any programme content and merchandising rights it owns, such as overseas sales and video sales, they now also get a small % of the license fee
  • IDEOLOGIES "experimental, encourage innovation and style, risk and non-conformism to engage a younger generation"
  • ASSOCIATED CHANNELS  channel 4, E4, more4, film4, 4seven, 4music, all4, hd+1 channels, each channel targets a specific niche audience
  • SCHEDULING  makes use of the watershed placing, reputation for challenging programming
  • NOTABLE RELEASES  big brother, hollyoaks, brookside, celebs go dating, gogglebox, made in chelsea, inbetweeners, skins
The Target Audience

AGE 27
NAME  david
GENDER male
NATIONALITY english
LOCATION  
SEXUALITY heterosexual 
SOCIO ECONOMIC CLASS  working class
OCCUPATION  teacher
HOBBIES  going to cinema

the process of commercial television is selling audience. ads are very specific.

BREAKFAST SCENE - how does it appeal to the audience and maintain?

  • "microchips" - dad joke
  • establishing shot of 'nuclear family' - creates an aspirational image 
  • slow pan of breakfast table - an easily identifiable scene for middle class audience
  • close up of Laura's face - establishes her dislike of Anita, relatable situation for target audience who may debate over wether or not to get a maid
  • "this is what breakfast is suppose to be like" - lowkey dig at Laura, failing to provide properly for her family, assumes she never does breakfast properly 
  • all sitting down and eating together - hyperreal, perfect breakfast
  • MES of dressing gowns - most of them wearing them, convention of sitcom genre, unconventional of sci-fi genre, keeps interest, repetition and difference (STEVE NEALE)
watershed - 9pm

OFCOM - regulate tv, they try to limit harm and offence

it is getting harder to regulate tv as you can now find the programmes online - Livingstone and Lunt

HARM AND OFFENCE


 kidnapping - may trigger memories - depicts unconscious woman - connotations of murder and sexual assault

black synth treated badly - shot to the ground - connotations of slavery 

threatening behaviour - close up - stern facial expressions - may offend people who have been involved in violence 
gun in background
STUART HALL
RECEPTION THEORY

preferred reading, negotiated reading, oppositional reading

  • preferred - uncomfortable, feel sorry for Niska
  • negotiated - can see why the man thinks he can do what he wants, but may still feel uncomfortable watching it
  • oppositional - the man can do what he wants, Niska is just a synth so she doesn't feel anything

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